In the darkness of the night, it is ravenous, and we
are aware. On some level we know everything.
The
birds come tenderly, with their little jerking motions and turn their heads to
study us. And we believe they have no clue as to who we are or what is
important in the world. In the darkness, when what we refer to as light is gone
and we have lit the air with our own light, with our inventions there in the
moments, it is necessary to ease back and let it come, much the same as when my
dad taught me to relax in the water. I remember how difficult that was, knowing
with this deep terror within me that the water might drown me. I had choked on
it before, felt the awful spasms my body did trying to free itself.
There are some things
in the world. So many things that are in the world near us. And we have the
night that comes tenderly. It really does. There is a tenderness there. And
when you allow yourself to ease into it, yes. There it is, even in the softness
of the cat’s fur when it comes with that wickedly slinky movement that has the
breath, the subtle movement in the air. And isn’t it true that we ignore these
gentle reminders? Is gentle the word? Something casually there, nearby. Right
there in the liquid glimmer, the softness of color, the deep green of the summer
foliage that has crept up so quietly from the earth again, having crept as it
always does, sprung with power and determination from the earth into our time.
It brings more scratches, more of the barest taps upon the fragrant, sensitive
bones in our bodies and upon the intricacies of nerve and connections, the
synapses within the devastatingly complex intricacies of what we have named our
brains, which scare us. The raw, pungent slap of despair of that cold
understanding of something savage, raw, and unsettling.
And in the impertinent whining of a gnat or mosquito as
it hovers near, drawn to our sweat, what my grandmother called perspiration
because she said it was nicer to say that. She thought of the word sweat as crude and awkward, not very
nice.
In the silt scattered near the woodsy areas, in the
wetness and the damp that collects in them, in the woods, as night has crept
down and these subtle, nearly invisible breaths of air and mist have clung as
unseen shadow, we work very hard to distance ourselves from it. We would flee
all of it, each curved and quiet breath of cold grass blade and the slow
effervescing interchange of oxygen and gasses seeping cold and weird upon the
complexity of this insurgency, this tenacity of life that grips the earth with
fibrous, stringy fingers evolving through the many years into roots capable
of pulling rich nutrients from the soil.
So what is my point?
It has something to do with who we are and what we are
becoming. And it seems that we must begin to get quiet and let go of our
tenacious hold on the reality we have created for ourselves. When we speak of
this presence, we have to come at it here in this sense, where we learn to let
go our fierce grip. I know it sounds strange sometimes. And I have fears about
it. I mean, I am here even now, looking up toward the top of this one tree. And
I just have the sense that in the edges, the quiet presence of these things
that surround us, we have answers to so many questions. And one of the grandest
is about this presence we call God.
In
the beginning, when it was mostly just this life on the planet, before the
humans arrived, this same world was here. And it was not the empty place we
might imagine. I believe, when I sit here and lean back, remembering the wash
of the sea, the thrum and rumble of the sea, I can nearly sense it. I have this
hunch, this push to explore this. For if we really would embrace this presence
and begin to grow, we have to backtrack. It is not that we become somehow
primitives, or ignorant. It is more that we learn again what we have forgotten,
which is how to be still, and allow this stillness to wash over us.
In
my experience of this entity, there were seldom cymbals crashing, the way they
did when my grandmother, Nana, took me to one of the high school football games
when I was maybe four and I was fascinated by the flat, bronze-colored disks
that would make such a reverberating noise as what must have been a high school
kid whacked them together, bringing each hand in a quick, graceful collision
and releasing that thrashing, splashing eruption of brassy sound that escaped
to roll cross the dampness of the autumn high school Friday night, and these
high school students in their limp band uniforms became symbols of the primal
pull within us that causes us to assemble in the night for contests played upon
a field, and then—led by these beating, thumping drums, horns, and trumpets, we
cheer and urge on the violence and performances upon the field.
And we wonder who we are, supposing that we have come far
upon the road toward sophistication. And yet we must somehow remember who it is
we have been, and how even now at this far-flung moment in time, surrounded by
our technology of which we are excited and proud—we must backtrack and find
ourselves, explore ourselves, and concede that in many ways we have not come
far at all. And we must learn anew to associate with this entity, this presence
which has hovered over all the earth, protectively and patiently, since before
we were here in our present form, waiting and still, anticipating the
explosions that will propel us out into the universe prepared for us and
waiting.

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